Carving lessons with Max Hutchison
2025-01-01 - 2025-05-31 | Andrew & Laura McCain Art Gallery, 8 McCain Street, Florenceville-Bristol, New Brunswick, E7L 3H6, Canada
Award winning artist Max Hutchison will be teaching carving lessons at the River Art Centre, in Florenceville-Bristol, NB.
After studying wood carving for many years with James Buxton, learning essential carving skills while refining his technique, Max has started to accept students for Beginner Carving lessons.
Beginner Carving:

All lessons are for a maximum of one student at a time.
Each course is $100 for four, two-hour sessions sessions over four weeks. The schedule will be worked out between Max and the student.
Students will carve a “smoothy” – a duck, penguin, bird or other animal. Wood and carving equipment is provided.
Call the Gallery at 506-392-6769 to express your interest, ask questions, reserve your course or add your name to the waiting list.

Meet Max:
Max is an avid carver who quickly picked up the skills required to make ambitious and engaging carvings. His Shark, 2023 can be seen at the Bun Veysey Active Living Centre and is part of the Public Art Collection of the District of Carleton North. Max’s work took a unique turn when he started to tell a story in his pieces, referencing classic cartoon figures or in his award winning carving of the shark chasing its lunch. Max runs a carving group that meet weekly at the River Art Centre and he is delighted to share his knowledge and expertise with those who want to learn how to carve.

Woodstock Art Club 70th Anniversary Show 1955-2025
2025-01-25 - 2025-03-08
Opening 25 January 2025, 2-4 pm, Introductions at 2:30 pm
Everyone is welcome, there is an elevator on site, admission is always free
Susanne Hansen
Guest Curator
The Andrew & Laura McCain Art Gallery has a mandate to support and present artists through exhibitions that celebrate the visual arts and artists locally, provincially and nationally. The 70th anniversary of the Woodstock Art Club is a milestone that the Gallery is thrilled to celebrate through this exhibition.
The show was made possible by the dedication of Susanne Hansen, current president of the Woodstock Art Club, who partnered with gallery director Jennifer Stead to curate the exhibition; locating, selecting, borrowing and gathering the 126 artworks that are hanging in the gallery.
This collection of art is evidence of the sustained interest in visual art demonstrated by the residents of Woodstock and the Upper Saint John River Valley and they speak to the interests, aspirations and ideas that motivated their makers. This exhibition expresses the dedication each artist showed to developing their talent and demonstrates the contribution the Club has made to the cultural life of the area.
An exhibition such as this is not possible without the generosity of the lenders and their willingness to share their precious artworks with the larger community and accept a blank spot on their walls for a few weeks.
A sincere thanks to everyone who made the show possible and in particular to curator, Susanne Hansen.
Karen Birnie
Chair of the Gallery Board of Directors
The Woodstock Art Club
The original twenty one members met for the first time in September 1955 united by their interest in visual art and in finding quality art instruction to further their skills and knowledge. In October they held their first fundraiser tea and invited a former Woodstock resident, artist Margery Rogers Donaldson to teach the first class. A graduate of visual art at Mount Allison University, student of Molly Lamb Bobak and instructor through the University of New Brunswick extension program, Donaldson taught members of the Club into the 1980s.
Over the years, the club brought together artistically curious individuals to inspire and support fellow members, develop their art practices, while supporting their creative growth and expression through regular meetings, classes, presentations and exhibitions. Margery Donaldson introduced the club to plein-air landscape and floral tradition in oils and she guided the students to always paint from life and to “never copy”. Donaldson, as a professional artist, was also able to fulfill the club members repeatedly expressed wish to be informed about contemporary developments in the art world.
Meticulous records were kept of attendance, dues, costs and events; membership was one dollar annually and a nickel per meeting. Mrs. Dorothy Clark was the first Secretary, Bonnie Smith, President, May Hanson was the Treasurer and Grace Holyoke was in charge of press coverage. Very quickly the Club became active in the community, contributing to the cultural life of Woodstock, creating opportunities for the members while looking outside the community for further enrichment. The Club took out memberships at the Beaverbrook Art Gallery, arranged for their first exhibition at the Carlyle Hotel and hosted the Nova Scotia Artists Association Annual exhibition there in 1957. When the Woodstock high school produced the musical Oklahoma, in 1959/60, members Lucile Kougle, Grace Holyoke, Marion Morgan, Marguerite MacLauchlin, Edna Leach, Gladys Smith and Evelyn Rogers painted the 16 by 24 foot backdrop. In the mid sixties, Gladys Smith wanted to do some redecorating in her bedroom and invited the art club members to paint murals on her walls of the historical areas of Woodstock that were going to be affected by the flooding from the construction of the new dam in Mactaquac. In the late eighties the members took on the management of the Art Competition and Display at the Woodstock Old Home Week Hobby Show.
In the 1950s through the 1990s, the Club organised workshops from a variety of professional artists and teachers, most from Saint John and Fredericton but occasionally from Ontario and Maine. They included Robert Benn, Molly Boback, Ted Campbell, Denis Cliff, William Forrestall, Bridget Grant, Art Cunanan, Don Cyr, Don Fletcher, Florence Hughes, Herzl Kashetsky, Ann Kittredge, Ron Legere, R.J. Love, Kay Macartney, Alex McGibbon, Erin O’Shea, Claude Picard, Alfred Pinsky, Fred Ross, Dylys Taylor-Sabine, Janice Wright-Cheney and Audrey York. The visiting artists were billeted and fed by a different member each evening and Denis Cliff, an artist instructor from Toronto, said he “enjoyed the best hospitality of his career in Woodstock and wished he didn’t have to leave”.
After starting with oils, the club was introduced to drawing basics, pastels, acrylics, collage, screen printing and different subjects through charcoal portraits, life drawing, modernism, abstraction and chinese brush techniques. In the mid 1990s, the club members decided to have an intensive week-long workshop in watercolour with Saint John artist Ray Butler that greatly influenced the direction of the group.
In 1994 Margery Donaldson gave her last workshop for the WAC, leaving a little portrait in the guestbook. William Forrestall and Robert Ben donated their demonstration artworks at the end of their workshops and to this year, the members each draw a name annually and have the artwork hanging in their homes for one year.
The enthusiasm and dedication of the club members is recognised by this entry in the guest book: “To members of the club, thank you for being the inspiration that started me painting again last fall. It was seeing your work that became so overpowering that I had to take my brush up again, and in doing that, added so much more joy to my life” Audrey York, Houlton Maine.
The club continues today welcoming new members – five in 2024, bringing the overall total to one hundred and sixty one members. They meet monthly and if you are interested in joining the WAC, please leave your contact information at the front desk and we will be sure to pass them on to the President, Susanne Hansen.
WAC Original Members

Clark, Dorothy
1955-1997

Connell, Mrs A B
1955-1956

Cougle, Lucy
1955-1965

Creighton, Mrs F O
1955-1956

Hanson, Maye
1955-1957

Holyoke, Grace
1955-1957

Homer, Deez
1955-1956

Ketchum, Dorothy
1955-1956

Kinins, Joan
1955-1956

Leech, Edna
1955-1987

Leech, Helen
1955-1957

Lovely, Mrs Herman
1955-1956

McLauchlin, Laura
1955-1956

Olmstead, Patty
1955-1956

Rogers, Evelyn
1955-1976

Rowan, Mrs
1955-1956

Simms, Laura
1955-1959

Smith, Bonny
1955-1959

Smith, Gladys
1955-1973

Winslow, Charlotte
1955-1985

Wishart, Dr Frank
1955-1956

WAC Current Members

Art Club 2024Standing, left to right: Juanita Power, Catherine Kuijpers, Suzan Carsley, Jennifer Oakes, Janelle Newcomb, Anna Maria Dickinson, Susanne Hansen, and Ann White Sitting, left to right: Karen Bragdon, Elizabeth Radford, and Brenda Bradley WAC Member Biographies and membership dates

Adams, Barbara
1987-1988

Aiton, Linda
1973-1974

Anderson, Randi
Circa 1996

Antworth, Ada
1983-1985

Baird,Jean
1978-1987

Barrett, Melissa
1990-1991

Beaulieu-Snowden, Bernice
1996-1998

Bell, Christine
1987-1991

Bernard, Guy
1988-1989

Beukeveld, Margaret
Circa 1997

Berry, Ann
1962-1968

Blue, Miss Louise
1971-1972

Bohan, Delores
Circa 1996-1998

Bouma, Judy
1986-1988

Bowlin, Mary
1962-1992

Bradbury, Winnie
1987-1988

Bradley, Brenda
1999-Present

“Originally from Montreal, I moved to the Woodstock Area in the 1980’s and subsequently enrolled in a watercolour class with Susanne Hansen and then joined the Art Club in around 2002. This group of artists, who came together once a month, were welcoming and supportive. The club organized workshops and general discussions which I found stimulating, helpful and encouraging. Members worked in a variety of media and have a variety of levels of art experience and background from absolute novice to art teachers and a University Art professor.”

Bragdon, Karen
c.2000-Present

“Karen is a native of Woodstock who has been interested in art for most of her life. She began attending art class in the early 90’s and started to take her work more seriously. She joined the Woodstock Art Club and was the secretary for over 10 years.”

Bragdon(Oldenburg) Kaye
Circa 1995

Broad, Cynthia
Circa 1997

Brown, Marion
1990-1991

Bschaden, Christopher
Circa 1996-1997

Buckingham, Marilyn
1993-1994

Bull, Milton
Circa 1992

Campbell, Twinnie
1993-1997

Carr, Pauline
1956-1957

Carsley, Suzan
Circa 2011-Current

“After moving from Montreal to the Woodstock area in 2011, I happened upon the Art Club exhibiting a craft market in downtown Woodstock.
This was my first contact with any art group in New Brunswick.
I inquired about membership and joined soon after. Over the last 13 years it has been wonderful to be a part of a group of like-minded artists getting together, whether to paint, do a workshop or participate in a potluck.”

Chase, Cathy
Circa 1997

Clarke, Mary (Mrs G F)
1956-1967

Clements, Maureen
1990-1991

Clitheroe, Louise (Daishe)
1975-1997

Colwell, Winnie
1977-1983

Deutch, Angie
2020-2021

Dickinson, Anna Maria
2024-Present

“It was an honour to be invited to join the Woodstock Art Group in February of this year 2024. I had doubts, was I good enough to be a member of this extraordinary group of amazingly talented artists. They welcomed me and I thank them for the opportunity to be a part of the group. I have enjoyed our paint get-togethers and our potlucks; I have even enjoyed trying different mediums – water colour & the linocut technique.”

Dickinson, Robert
1987-1988

Doherty, Sarah
Circa 2012

Doiron, Phil
1987-1991

Dow, Caroline
Circa 1992

Dukeshire, Eileen
1987-Present; Life Member

Dunbar, Adeline
1987-1994

Dunfield, Christopher
1994-1997

Ellis, Alice
1989-Circa 1991

Field, Donald
1987-1997

Flewelling, Lillian
1987-1990

Forrest, Pauline
1974-1977

Foster, Louise
1988-1991

Fox, Edna
1975-1984

Gibson, Terry
1989-1990

Gilliland, Marjorie
1975-1976

Green, Charlotte
Circa 1997

Griffith, Velma
1987-1990

Hacklesperger, Armin
2015-2020

Hansen, Susanne
1986-Present

“I have always had an interest in art. My mom said I was born with a pencil in my hand! Throughout my preteen and teen years I painted in oils using “How to” books my parents provided.
In my twenties I started art classes in Houlton with Esther Faulkner. She introduced me to charcoal, pastel, ink, and watercolour.
In 1986 I was invited to join the Woodstock Art Club. The WAC offered many and varied workshops through the late 80’s and 90’s and I attended every class offered. Along with the WAC workshops, I travelled to week long workshops throughout New Brunswick, Nova Scotia, and Maine.
In watercolour, acrylic, oil, linocut, intaglio, pastel, and egg tempra – doing life, portrait, landscape, seascape, abstract, still life – in recent years I have tried wood carving and pottery. My love is landscape (water, rocks, and trees) in watercolour.
Making art is as necessary to me as eating and sleeping.”

Hanson, Harold
1956-1957

Hanson, Patti
Circa 1956-1957

Harold, Marie
1992-1997

Havens, Carol Ann
1995-1996

Havens, Shelley
1995-1996

Haywood, Jean
1994-1997

Hemphill, Donna
Circa 1996-1998

How, Heather
1994-2023

Johnson, Cathie
2021-2022

Johnston, Wendy
1994-1997

Jung, Moon Hee
2002-2004

Kearney, Lucille
1990-1991

King, Janet
Circa 1996

Kittredge, C. Ann
1988-Present

“C. Ann Kittredge is a mixed media artist who hailed from Ontario and lived in Woodstock for 34 years, during which time she was a member of the Woodstock Art Club. She retired from teaching drawing, design, and printmaking courses for the University of Maine Presque Isle, and has since returned to her childhood home. She says that she came late to the formal study of art, and had a “first life” in science, studying and teaching science for many years. Her art often reflects this background. She continues to be fascinated by the connections between art and science; much of her imagery arises from a lengthy consideration of issues and phenomena which reside in that area where science, art, and spirituality overlap.”

Kuijpers, Catherine
2024-Present

“I believe art, in its myriad forms, is innate to humanity. We are much stronger with it. Bringing us together through that which makes us drop our jaws in awe, it gives us pause to contemplate and provides a tactile way of expressing ourselves in a medium other than voice. Sometimes beautiful, full of curiosities; or art can be difficult to view and challenging. It always has been and always will be something that connects us all and can bring on an intrinsic emotional response. I am passionate that art should be kept in education and is a tool for therapy that has helped me to heal. It has an uncanny power to heal children and adults alike.
Catherine’s passion and skill in poetry and drama is parallel to an equal passion for the art forms upon which the Woodstock Art Club was formed 70 years ago.”

Larkin-Roy, Ann
1987-1990

Lavoie, Vera
1987 -2005

Lawson, Ada
Circa 1992

Lutes, Deborah
1995-1996

MacFarlane, Wanda (Glass)
1995-1998

MacMillan, Margaret
1956-1964

Martinson, Bobby

Martinson, Noreen
Circa 1998

McAllister, Debra
1998-2023

McCarthy, Linda
Circa 1990

McEwen, Murray
Circa 1996-1997

McGuire, Ginette
1987-2010

McGuire, Irene
1987-2005

McKeen, Meredith
1995-1996

McLauchin, Marguerite
1956-1976

McLaughlin, Heidi
1988-1989

McLellan, Loretta
1997-1998

Mea, Maryann
1991-2023

Milbury, Aileen
1987-1997

Miller, Beverley
1990-1991

Monteith, Heidi
1987-1988

Moore, Mary
1970-1971

Moore, Vean
1971-1985

Morgan, Marion
1958-1974

Morrison, Jim
1993-1997

Neilson, Donna
1987-1988

Neilson, Gladys
1992-1996

Newcomb, Janelle
2024-Present

I moved to New Brunswick in 2019. I painted regularly but missed having the
opportunity to get feedback and share experiences with other artists. Except on the
internet, I didn’t even know where to shop for art supplies and was disappointed when I could not enjoy the tactile pleasure of choosing my materials.
In 2023, I dropped in at the River Art Centre to inquire about locating art supplies. There I met Susanne Hansen and my search was rewarded not only with finding materials but also with being introduced to a large community of local artists.
Susanne’s enthusiasm for and connection to the galleries and art focused events in the area was the inspiration that led me to get involved in: “En Plein Aire”, a 2023 event benefitting The Big Brothers, Big Sisters organization; the Small Works show at ALMAG also in 2023; becoming a member of the Creek Village Art Gallery in 2024. I am grateful to Susanne for inviting me to join the Woodstock Art Club and thrilled to be able to participate in the club’s 70th anniversary exhibition.

Nicholson, Eugene
1990-1997

O’Hagan, Mrs L
1962-1963

O’Halloran, E. Ann
1987-2017

Palin, Marion
1970-1978

Palmer, Barbara
1987-1988

Payne, Blanche
1983-1985

Perry, Geraldine
1994-1998

Peterson, Bernice
1987-1992

Phillips, Bernard
1989-1991

Phillips, Brenda
1997-2017

Pickard, Joanne
Circa 1999-Circa 2001

Polches, Jennifer
2024-Present

Polchies, Wendy
Circa 1994-1997

Poulin, Beverley
Circa 1990

Power, Juanita
2024-Present

“I have been working with paper crafts for over twenty years as a hobby to create gifts for family and friends, starting with cards and scrapbook mini albums for special events. My hobby has now evolved into creating flowers, houses, decorations for doors and centrepieces. I am a recent member of the Woodstock Art Club, being invited to join in 2024. I am looking forward to the continued success of the art club and learning new skills from the many talented artists in the club.”

Prosser, Lori
1994-1995

Radford, Elizabeth
2015-Present

“Artwork came into my life as an adult student in The Interior Design program at College in Vancouver. I learned to draw, draft, understand colour theory and render my project designs. (Residential and commercial) Paint materials included watercolour, acrylic, gouache, ink and felt pens.
Subsequent workshops in Vancouver and Victoria included linocuts, intaglio, textile design and egg tempera. Following a move to New Brunswick, the Woodstock Art Club provided collaboration with other artists, workshops, and a social aspect which was welcome. The New Brunswick College of Art and Design classes in Fredericton created an opportunity to further develop drawing techniques.”

Ross, Mary
1956-1971

Salmon, Cynthia
1997-2000

Schurman, Helen
1956-1959

Shaw, Rayma
1990-1991

Shaw, Sonya
Circa 1998

Smith, Lorraine
1972-1974

Squires, Mrs F C
1956-1957

Stanley, Henni
Circa 1996

Stockford, Marie
1970-1992

Sullivan (Berry), Ann
1962-1968

Tapley, Bud
1987-1991

Tompkins, Irene
1993-1995

Wallace, Mildred
1988-1997

Wallace, Vivian
Circa 1996

Webb, Alice
1987-1989

Wells, Robert
1987-1997

White, E Ann
Circa 2012 -Present

“I have been a member of the Woodstock Art Club for about 10 years. I had just completed watercolour painting lessons from Susanne Hansen and was happy to join this group of talented artists. I was exposed to other mediums and techniques of various art forms.
About 5 years ago when looking for an abstract painting for my home, I became interested in fluid acrylic pours. I really enjoyed the freedom of this method and the interesting finished product. I also enjoyed sharing this art form by facilitating classes. As well as pouring on canvases, I created coasters by pouring on wood and applying a resin finish.
I continue working in watercolour as well.”

Wiggins, Charlene
1993- Circa 1995

Wilkinson, Connie
1991-1992

Wilson, Emily
1993-1994

Wilson, Paula
1993-1994

Wilson, Shirley
1989-1990

Winslow, Marion
1960-1985

Wood, Brenda
1990-1997

Yerxa, James
1990-1991

Denise Violette-Michaud: Petite Forêt
2025-03-15 - 2025-04-12 | Andrew & Laura McCain Art Gallery, 8 McCain Street, Florenceville-Bristol, New Brunswick, E7L 3H6, Canada
Opening 15 March 2025, 2-4pm, Introductions at 2:30pm
Everyone is welcome, there is an elevator on site, admission is always free
About the Artist
Denise Violette-Michaud is a textile and ceramic artist who lives and works in Drummond, New Brunswick. Denise grew up surrounded by fabric as her mother was a furniture upholsterer, and she has continued to be drawn to textiles; their textures, colours, and patterns. They are part of her DNA, her artistic medium of choice, and it is by working with them that she forages the link between art and craft.
Denise explores her emotions and the intensity of life through creation; it is a vital need for her. By transforming and incorporating objects with a previous life, she weaves their history into a new existance.
In Her Own Words: The Story Behind Petite Forêt
“In 2019, I took part in an artistic residency at Fundy National Park, where I was able to contemplate the beneficial effects of nature, which led me into a state of reflection. From these reflections, I created a sculpture whose theme is the tree that heals over time.
In the course of this creation, I discovered a fascination for the work of representing trees and plants through the use and transformation of textiles. I dye them, tear them, sew them, burn them, glue them, cut them, embroider them; the means are infinite, it’s a work that takes me into innovative terrain and offers me more and more interesting technical possibilities.
Recycling fabric is an asset in the creative process and in my research. I give them a new life, the result becoming the main material in the creation of my three-dimensional works.
Exploring certain techniques, I use fabrics to create illusory tree trunks that refer to the trees I see on my walks in the forest. I look for textures and colours given by natural elements; rust, leaves, rotting elements of nature, different earths; I compose 3D works with fabrics modified by these dyes. I also work with clay, which allows me other 3D possibilities.
The research and the path I’ve been able to pursue in creation continue to nourish my desire to continue on my path.
My horticulture training has only scratched the surface of this plant world. A new sense of urgency has arisen: I want to learn more about plant biodiversity and the importance of trees in my life.
The Petite Forêt installation of tree trunks made of recycled fabrics highlights the importance of biodiversity. It’s the result of my observations of the clear-cutting of our natural mixed forests, which have been replaced with monoculture softwood plantations, creating homogenous secondary forests that are less rich in biodiversity. The habitat of natural forest flora, birds and animals has been degraded and the use of herbicides is commonplace. When I travel along some of the roads in our province, I notice this sense of relentlessness and I am saddened by the lack of respect that the forestry industry has for the environment.”
– Denise Violette-Michaud

6 Week Pottery Wheel Course
2025-03-17 14:00 - 2025-04-21 21:00 (America/Halifax) | River Art Centre, 8746 Main St., Florenceville-Bristol, New Brunswick
Have you given the wheel a spin and are looking to deepen your skills? Or maybe you’re brand new and want to dive right into learning pottery? This course is designed for you!
In this beginner’s course you will learn the basics of throwing & working with clay. Your teacher, Jenna will provide an intro to the many aspects involved in understanding & creating pottery: clay bodies, wedging, reclaiming, throwing forms, trimming, making handles, firing & kilns, decoration & glazing techniques. Throughout the class as you practice your skills you will work to create your own little “perfectly imperfect” place setting that includes a cup, bowl, mug & plate.
Experience isn’t necessary, just a willingness to get dirty and the patience to learn & try.
The course will begin on Monday, March 17th, and will occur weekly until April 21.
There are two time slots available for this course: 2pm-5pm and 6pm-9pm
Contact the gallery to register now: 506-392-6769 or info@mccainartgallery.com
There are no refunds for cancellations within 2 weeks of the event.

Intro to Wheel Pottery Course
2025-03-22 12:00 - 17:00 | River Art Centre, 8746 Main St., Florenceville-Bristol, New Brunswick
Join instructor Jenna Ross and learn how to throw clay on the wheel. Class is suitable for all levels; adult class.
Two classes on Saturday, March 22nd, from either 12-2 or 3-5 at the River Art Centre. Four people per class, lots of one-on-one time with the instructor.
$40 payment reserves your space, no refunds on cancellations within two weeks of event. Don’t hesitate, these classes fill up fast!
For more info or to reserve your space call or email the Gallery at 506-392-6769 or info@mccainartgallery.com

Drawing Drop-in
2025-04-10
Drawing Drop-in is a chance to enjoy drawing and a social evening with other creative and curious people with instruction from Stephen Hutchings. It is a chance to practice, learn and explore drawing using different materials. Bring your own project and get some feedback or, get an introduction to the basic of drawing from Stephen who will provide instruction and materials. $1o includes all the materials you need and refreshments will be served.
Meet Stephen Hutchings…
Stephen is a local artist who draws most days as he is working in his Johnville studio or at the River Art Centre. His drawing practice started, like many, in his childhood and he never stopped. You might have seen him drawing in the Gallery in January 2023, when seven artists were invited to turn the gallery into a drawing studio. Stephen has taught drawing throughout his career and will be teaching a figure drawing workshop at Sunbury Shores in the summer of 2025. He loves to share his enthusiasm for the activity with others and so has invited you to join him one evening a month, have a glass of wine and reconnect to your inner artist.
Future Drawing Drop-in dates are the third Thursdays of the month – February 13, March 20, April 17, 2025.

Canva for Beginners Workshop with David Bailey
2025-04-12 13:00 - 15:00 | River Art Centre, 8746 Main St., Florenceville-Bristol, New Brunswick
Canva for Beginners Workshop
Join us for a Canva for Beginners Workshop with David Bailey on Saturday, April 12, 2025, from 1-3 PM at the River Arts Centre in Florenceville-Bristol.
Learn how to create professional-looking designs using Canva, a simple and versatile graphic design tool. Whether you’re new to design or looking to improve your skills, this hands-on workshop will help you get started.

$20 per person

Bring your own device

Location: 8746 Main Street, Florenceville-Bristol

Register now: Call 506-392-6769 or email info@mccainartgallery.com

Spots are limited—sign up today!

"Shared Landscapes" By Diana Baldwin plus "Knock Knock and Other Prints" By Natt Cann
2025-04-26 - 2025-05-24 | Andrew & Laura McCain Art Gallery, 8 McCain Street, Florenceville-Bristol, New Brunswick, E7L 3H6, Canada
Shared Landscapes by Diana Baldwin
Diana Baldwin is a printmaker working from her home studio in Port Williams, Nova Scotia, Canada. She was introduced to printmaking by The Mahone Bay Printmakers. With the Guidance of Ed Porter, Professor Emeritus NCCADU, etching became her main focus and passion.
<sp/>
Knock Knock and Other Prints by Natt Cann
Natt Cann is a Canadian visual artist whose projects of print hone upon the haunting of lands – ideologies and industries keeping afloat Canadian notions of colonial heritage and their degradations. Natt’s aim is to share Atlantic centric discussions of commorancy, climate, and past snuffed economic aspirations amidst the celebrations of current peoples, politics, and newfound practices.
“I am a printmaker focusing primarily on etching. My subject matter includes still lifes and landscapes.
I have a particular interest in how landscapes are affected by the changing seasons and the passage of time. Agricultural and manmade patterns on the land are also fascinating to me. On my daily walks, bike rides, or time spent gazing out the window, my attention will often be caught by a snatch of colour, interesting pattern, or texture. This becomes inspiration for future projects.
I enjoy the etching process and the many steps it takes to get the finished print. It gives me time to settle in and think about how I will achieve the end result. It also allows for the possibility of experimentation. I am constantly learning how this process can be adapted to aid in the interpretation of my ideas.
I find myself excited by what is offered by the blank plate at the beginning of a project. There is always hope and expectation at what will come off the press at the end of the journey.”
-Diana Baldwin
<sp/>
<sp/>
<sp/>
“Knock Knock continues my interests as an ongoing explorative series into the 21st-century capitalist rental system, an admission that many will never own a house, a stark reminder of the loss of architectural heritage, and the urgent need to address the housing crisis. The body of work is a collection of primarily Atlantic doors, impressionable Victorian brownstone and Gothic Revival abodes captured in lens based means and mono-printed through photochemical transfers. Their texture and design imparts a sense that they are vanishing in favour of their replacements, undeniably featureless podium developments designed for those who can’t yet afford them.
Yet, amidst the seriousness of the art’s statement, a pleasantness and authenticity stands bold amongst the collection. The colour and variation of the nearly 200 and growing mono-prints, bring to the audience the nostalgia of home on the east coast and what it means to own or not own a house in today’s world.”
-Natt Cann

Guess Who is Coming To Dinner?
2025-05-03 18:00 - 22:00 | Andrew & Laura McCain Art Gallery, 8 McCain Street, Florenceville-Bristol, New Brunswick, E7L 3H6, Canada
Tickets are now available for the 17th Annual Guess Who!
Saturday, 3 May, 2025
The evening starts with a 6:00 o’clock reception at The Andrew & Laura McCain Art Gallery 8 McCain Street, Florenceville-Bristol, NB E7L 3H6
Tickets are $100.00 per person
For more information or to purchase tickets call the Gallery at 506-392-6769
Where will I be dining … and with who?
You find out at 7 o”clock that evening, when guests receive the top secret envelopes with maps to their destinations! A delicious dinner party follows, hosted by community members who have opened their homes and prepared fantastic meals.
The thrill of the unknown is exhilarating but one thing is certain – where ever you go, you’ll be met with great food and fine company!
Please inform your ticket seller and the Gallery of allergies or major diet restrictions.

Canva for Beginners Workshop with David Bailey
2025-05-10 13:00 - 15:00 | River Art Centre, 8746 Main St., Florenceville-Bristol, New Brunswick
Canva for Beginners Workshop
Join us for a Canva for Beginners Workshop with David Bailey on Saturday, May 10, 2025, from 1-3 PM at the Florenceville-Bristol Community Hall.
Learn how to create professional-looking designs using Canva, a simple and versatile graphic design tool. Whether you’re new to design or looking to improve your skills, this hands-on workshop will help you get started. To see what Canva is, visit www.canva.com

$20 per person

Bring your own device and Hotspot

Location: 8696 Main Street, Florenceville-Bristol

Register now: Call 506-392-6769 or email info@mccainartgallery.com

Spots are limited—sign up today!

Weaving Workshop With Lora Lloyd
2025-05-17 13:00 - 15:00 | River Art Centre, 8746 Main St., Florenceville-Bristol, New Brunswick
Weaving Workshop with Lora Lloyd
Date: Saturday, May 17, 2025Time: 1:00 – 3:00 PMLocation: River Arts Centre, 8746 Main Street, Florenceville-BristolCost: $25 (all materials included)
Join us for a hands-on introduction to weaving with artist Lora Lloyd. In this beginner-friendly workshop, you’ll learn how to set up a small frame loom and weave your own unique mug rug to take home.
Lora Lloyd, the artist behind Perfectly Imperfect Weaving, embraces the beauty of imperfections in her work and has a passion for natural fibers and supporting local yarn shops.
No experience needed—just bring your creativity!
To register or for more information, call the gallery at 506-392-6769.

Kindred Spirits, the Lucy Maud Montgomery legacy by contemporary Canadian Book Artists and Book Illustrations by local artist Leland Wong-Daugherty
2025-05-31 14:00 - 16:00
<s/p>
<s/p>
You are invited to the opening on Saturday, May 31st from 2pm to 4pm.
Artists Meg Clark and Leland Wong-Daugherty will be in attendance, introductions begin at 2:30pm
Admission is always free, and there is an elevator on site.
Kindred Spirits is a touring exhibition of book arts that honours the life and literacy legacy of Lucy Maud Montgomery. Presented by the members of the Canadian Bookbinders and Book Artists Guild, the exhibition commemorates the 150th anniversary of Montgomery’s birth through original works that reflect her enduring cultural impact.
Leland Wong-Daugherty is an illustrator, natural builder, and kite maker based in rural New Brunswick, Canada. He lives off-grid in a home he designed and built himself, alongside his wife, Tegan, and their four children.
“The Faery Chronicles” book one is Leland’s second illustrated book.
<s/p>
<s/p>

Product Photography with David Bailey
2025-06-07 13:00 - 15:00
Join us for a Product Photography Workshop with David Bailey on Saturday, June 7, 2025, from 1pm-3pm at the River Arts Centre.
Learn how to present your product in the best lighting you have available around the house/shop. Perfect for social media, websites, and more!

$20 per person
Bring your own product
Bring your own camera (phone works)
Location: 8746 Main Street, Florenceville Bristol.
Register now: Call 506-392-6769 or email info@mccainartgallery.com

Spots are limited – sign up today!

Intro to Line with Stephen Hutchings
2025-06-12 18:00 - 20:00 | River Art Centre, 8746 Main St., Florenceville-Bristol, New Brunswick
Meet Stephen Hutchings…
Stephen is a local artist who draws most days as he is working in his Johnville studio or at the River Art Centre. His drawing practice started, like many, in his childhood and he never stopped. You might have seen him drawing in the Gallery in January 2023, when seven artists were invited to turn the gallery into a drawing studio. Stephen has taught drawing throughout his career and will be teaching a figure drawing workshop at Sunbury Shores in the summer of 2025. He loves to share his enthusiasm for the activity with others and so has invited you to join him one evening a month, have a glass of wine and reconnect to your inner artist.
Stephen is a local artist who draws most days as he is working in his Johnville studio or at the River Art Centre. His drawing practice started, like many, in his childhood and he never stopped. You might have seen him drawing in the Gallery in January 2023, when seven artists were invited to turn the gallery into a drawing studio. Stephen has taught drawing throughout his career and will be teaching a figure drawing workshop at Sunbury Shores in the summer of 2025. He loves to share his enthusiasm for the activity with others and so has invited you to join him one evening a month, have a glass of wine and reconnect to your inner artist.
To register, please contact the gallery:
506-392-6769 | info@mccainartgallery.com
All materials are provided, no experience necessary!
Join artist Stephen Hutchings for a two-part beginner friendly workshop exploring the expressive power of line in art.
Part 1: May 22, 6pm-8pm
Part 2: June 12, 6pm-8pm
Location: River Art Centre (8746 Main Street, Florenceville-Bristol)
Cost: $5 per part, given at the door. *Please still register ahead.

Raku Workshop with Tim Isaac & Jenna Ross
2025-06-14 09:00 - 2025-06-15 17:00
No experience necessary – all are welcome!
Join artists Tim Isaac and Jenna Ross for a hands-on Raku workshop that brings fire, clay, and creativity together in an unforgettable outdoor experience. Whether you are a seasoned potter or new to ceramics, this is your chance to take part in the magic of Raku firing from pulling red-hot pots from the kiln to watching dramatic finishes emerge in real time.
WORKSHOP OVERVIEW:

Dates: Saturday & Sunday, June 14-15, 2025
Time: June 14: 9AM-5PM, June 15: 9AM-3PM
Fee: $200 per person. (Includes two full days of instruction, all materials, and your finished pieces to take home.) *No refunds for cancellations within 7 days of the workshop.
Location: Jenna’s house in Knowlesville
To register: Call 506-392-6769 or email: info@mccainartgallery.com

PLEASE NOTE: Your pots must be made and bisque-fired BEFORE the workshop.
This is essential so your pieces are ready for the Raku process.
HOW TO PREPARE YOUR POTS:
All participants must create and bisque-fire their pots ahead of the workshop. We’re offering two options to help you get ready, both with instruction & support from Jenna, and both are held at the River Art Centre. (8746 Main Street, Florenceville-Bristol)
Option 1: “Make it” Day
Saturday, May 24, 12PM-4PM
Option 2: Clay Drop-in Sessions
Thursday, May 29 OR June 5, 6pm-8pm
Meet Tim!

“I’m originally from Brandon, Manitoba. I found my passion for clay about 35 years ago in Winnipeg, where I took a class with some inspiring young professional potters. My love for clay deepened in Waterloo, Ontario. I became a member of the local Potters’ Co-op while also finishing a degree at the University of Waterloo.”
Meet Jenna!
"Hi, I'm Jenna and I have a deep love of clay! As it turns out, I love getting my hands dirty. The walls of my home are even (unintentionally) covered in clay. I continue to be amazed at all the things this wonderful material can do. I've been drawn to the magical art of clay shape-shifting on the wheel from a blob to a form since I first watched a potter as a kid."
WHAT YOU WILL LEARN:

The dramatic process of Raku firing.
Natural burnt-surface decoration using the Obvara technique.
How to use feathers and horsehair for striking carbon markings.

What is Raku?
Raku is an exciting pottery technique involving red hot posts and combustible materials which can create dramatic effects. Raku dates back to 16th century Japan, although "Western-style raku" has put its own variations on the technique. Raku firing is known for its unpredictability, and each piece is one-of-a-kind! Raku firing is one of the most natural pottery techniques, embracing imperfection and employing all of nature's elements: earth, fire, air, and water.
The work raku translated to English means: 'happiness in the accident', pleasure, enjoyment, delight!

Raku Pop-Up Show
2025-06-15 16:00 - 18:00 | River Art Centre, 8746 Main St., Florenceville-Bristol, New Brunswick

Tunnel Book Workshop with Meg Clark
2025-06-28 13:00 - 16:00
✨ Workshop Caption – Create Your Own Theatre Book
with Meg Clark — a Fredericton-based artist specializing in bookbinding, illustration, and design. Her work is featured in the upcoming exhibition Kindred Spirits: The Lucy Maud Montgomery Legacy as Interpreted by Contemporary Book Artists and Book Illustrations by local artist Leland-Wong Daugherty.
Join artist Meg Clark for a hands-on workshop exploring the art of the theatre book — a sculptural, accordion-fold book that opens to reveal a layered, three-dimensional scene, like peering into a miniature stage.
Participants will:

Learn the creative potential of tunnel (or theatre) books

Explore paper construction techniques, including folding, layering, and building depth

Design and create a unique, story-rich scene using illustration, collage, and mixed media

Bring a visual narrative to life in a playful, tactile format

All skill levels welcome — come curious and ready to create!And while you’re here, be sure to explore Kindred Spirits in the gallery to see Meg’s work on display.
Participants will create a 5″ x 7″ tunnel book, and are encouraged to bring a scenic photo as inspiration for their book.
Contact the gallery to register: 506-392-6769 | info@mccainartgallery.com

Summer Art Camps
2025-07-02 09:00 - 2025-08-21 17:00 | River Art Centre, 8746 Main St., Florenceville-Bristol, New Brunswick
space
space
– – – SUMMER ART CAMPS 2026 – – –
Summer Art Camps are back for 2026!
Join us at the River Art Centre (8746 Main St., Florenceville-Bristol) for another exciting summer of creativity! This year’s camps are open to ages 5-14, and 15+, and we’re delighted to welcome Mahala McIntosh as our instructor.
Scroll down for all the details on each camp’s theme, materials, and projects.
Ready to register?You can now register online! (see below)
Call or email the Gallery — space is limited and spots fill up quickly!
📞 506-392-6769📧 info@mccainartgallery.com
Payment secures your registration.You can pay in person at the Gallery (1–8 McCain St., Florenceville-Bristol) or send an e-transfer to executive@mccainartgallery.com. All forms of payment accepted. There are no refunds on cancellations within one week of the start date.
A big thank you to the CNCF for their generous support in making these camps possible for our community!
– – – Ages 5-6 – – –
Exploring Art
Ages 5/6 /1-Day Camp /Friday /3:00pm-4:30pm daily / $20
The three workshops for ages 5–6 will introduce young artists to painting, stamp drawing, and sculpting with play dough through fun, hands-on activities designed for shorter camp sessions. Children will explore colours, textures, and shapes, while building confidence in making art and experimenting with different materials.
Available Dates: July 17/July 24 /August 14

Exploring Art #1: Ages 5+6 Art Camp | July 17, 3pm-4:30pm

$20.00 You save (%)

Select options

Details

Exploring Art #2: Ages 5+6 Art Camp | July 24, 3pm-4:30pm

$20.00 You save (%)

Select options

Details

Exploring Art #3: Ages 5+6 Art Camp | August 14, 3pm-4:30pm

$20.00 You save (%)

Select options

Details

– – – Ages 7-9 – – –
Hands-on Painting, July 7-9
Ages 7-9 / 3-Day Camp /Tuesday – Thursday /9:00am-11:00am daily / $45
In this Art Camp participants will explore painting through fun, hands-on projects using watercolours, acrylics, and printmaking techniques. They’ll learn about colour mixing, texture, and creative painting methods while creating their own original work.

Drawing Outside the Lines, July 14-16
Ages 7-9 / 3-Day Camp /Tuesday – Thursday /9:00am-11:00am daily / $45
In Drawing Outside the Lines, campers will explore creative drawing techniques using pencils, charcoal, and chalk pastels while learning about line, texture, light, and colour blending. This camp will include imaginative activities, music-inspired art, and observational sketching. Campers will create detailed creatures, abstract artworks, and their own mini sketchbooks.

Drawing Outside the Lines: Ages 7-9 Art Camp | July 14-16, 9am-11am

$45.00 You save (%)

Select options

Details

Clay, July 21-23
Ages 7-9 / 3-Day Camp /Tuesday – Thursday /9:00am-11:00am daily / $45
In this Art Camp, campers will learn how to work with and sculpt stoneware clay, to model and glaze their own coil pots, pinch pots, 3D sculptures, and more! Everything participants make during this Summer Art Camp will be kiln-fired and available for pickup in late August.

Out of stock

Clay: Ages 7-9 Art Camp | July 21-23, 9am-11am

$45.00 You save (%)

Details

Building with Paper, August 11-13
Ages 7-9 / 3-Day Camp /Tuesday – Thursday /9:00am-11:00am daily / $45
In this Summer Art Camp, campers will learn a number of different ways to make 2D and 3D art using paper, including papier machee, collage, paper weaving, mask making, and more!

Building with Paper: Ages 7-9 Art Camp | August 11-13, 9am-11am

$45.00 You save (%)

Select options

Details

STEAM Camp: Science & Art, August 18-20
Ages 7-9 / 3-Day Camp /Tuesday – Thursday /9:00am-11:00am daily / $45
In this Science and Art Summer Camp, participants will explore a number of different ways to make art using science and things from the natural world. Some of the activities we will do include cyanotype photography (no cameras required!), making paint from scratch, and making nature art journals on the Walking Trail near the ALMAG.

STEAM: Science & Art: Ages 7-9 Art Camp | August 18-20, 9am-11am

$45.00 You save (%)

Select options

Details

– – – Ages 10-14 – – –
Hands-on Painting, July 7-10
Ages 10-14 / 4-Day Camp /Tuesday-Friday /1:00pm-4:00pm daily / $80
In this Art Camp participants will explore painting through fun, hands-on projects using watercolours, acrylics, and printmaking techniques. They’ll learn about colour mixing, texture, and creative painting methods while creating their own original work. The 10-14 age group will also be exploring painting from life.

Drawing: Make a Mark, July 14-16
Ages 10-14 / 3-Day Camp / Tuesday – Thursday / 1:00pm-4:00pm daily / $60
In this Drawing Summer Art Camp, campers will explore creative drawing techniques using pencils, charcoal, and chalk pastels while learning about line, texture, light, and colour blending. This camp will include imaginative activities, music-inspired art, and observational sketching. Campers will create detailed creatures, abstract artworks, and their own mini sketchbooks.

Out of stock

Drawing: Make a Mark: Ages 10-14 Art Camp | July 14-16, 1pm-4pm

$60.00 You save (%)

Details

Clay, July 21-23 *FULL – Waitlist only
Ages 10-14 / 3-Day Camp /Tuesday – Thursday /1:00pm-4:00pm daily / $60
In this Art Camp, campers will learn how to work with and sculpt stoneware clay, to model and glaze their own coil pots, pinch pots, 3D sculptures, and more! Everything participants make during this Summer Art Camp will be kiln-fired and available for pickup in late August.

Out of stock

Clay: Ages 10-14 Art Camp | July 21-23, 1pm-4pm

$60.00 You save (%)

Details

Making Comic Books, August 11-13
Ages 10-14 / 3-Day Camp /Tuesday – Thursday /1:00pm-4:00pm daily / $60
In this camp, participants will learn how to make their own comic books from scratch. This includes how to make their own books, how to storyboard, ways of designing characters, coming up with plots, and about different styles of comic books through the years. By the end of the Summer Art Camp. participants will have their own completed comic book to take home with them.

Making Comic Books: Ages 10-14 Art Camp | August 11-13, 1pm-4pm

$60.00 You save (%)

Select options

Details

STEAM Camp: Science & Art, August 18-21
Ages 10-14 / 4-Day Camp / Tuesday-Friday / 1:00pm-4:00pm daily / $80
In this Science and Art Camp, participants will explore different ways to make art using science and things in the natural world. Some of the activities include cyanotype photography (no cameras required!), making paint from scratch, and making nature art journals on the Walking Trail near the ALMAG.

STEAM: Science & Art: Ages 10-14 Art Camp | August 18-21, 1pm-4pm

$80.00 You save (%)

Select options

Details

– – – Ages 15+ – – –
All about Sculpture, July 28-31
Ages 15+ / 4-Day Camp /Tuesday-Friday /9:30am-5:00pm daily / $100 EARLY BIRD until June 15, 2026. Then $130
In this 15+ Art Camp, participants will explore a wide variety of sculptural techniques for making 3D art using pottery clay, paper, and cardboard models, sewing/doll making, plaster casting, and more!

All about Sculpture: Ages 15+ Art Camp | July 28-31, 9:30am-5pm

$130.00 You save (%)

Select options

Details

Let's Make a Book Summer Camp - Ages 10-14
2025-07-10 13:00 - 16:00

Indigenous Blue by Brian Francis
2025-07-12 14:00 - 16:00
Artist Talk July 12, 2025 starting at 2:00pm
Brain Francis will be giving an artist talk about his paintings and the relationship between them and the cultural objects included in the show. Brian’s talk will be at the beginning of his Opening on July 12, 2025, from 2:00-2:30pm. Brian inspired many in the community the last time his work was in the Gallery during the group exhibition Napoigagon in 2023. Everyone is welcome to drop in to hear Brian’s talk, admission is always free and we look forward to seeing you.
View Brian Francis’ Opening SpeechIndigenous Blue, Brian Francis
Indigenous Blue is a captivating art exhibit that celebrates the rich cultural heritage and spiritual
significance of the color blue in Indigenous culture and traditions. This exhibit showcases the unique and
diverse artworks created by Indigenous artist Brian Francis that delve into the profound connections
between blue and the intricate tapestry of Indigenous spirituality and worldview.
In many Indigenous cultures, the color blue holds multifaceted symbolism, representing the vast expanse
of the sky, the life-giving and cleansing properties of water, and the mysterious depths of the spirit world.
Through his artistic expressions, Indigenous Blue explores how this hue is deeply intertwined with
themes of peace and serenity. The color blue is often utilized in ceremonial contexts among Indigenous
peoples, serving as a powerful conduit for prayer, meditation, and vision quests. By bringing together a
collection of artworks that feature varying interpretations and uses of blue, this exhibit endeavors to offer
viewers a glimpse into the nuanced ways in which Brian harnesses the color to convey profound messages, stories, and teachings rooted in his culture and traditions.
The artworks on display not only reflect the external landscapes but also evoke the internal landscapes of
one’s soul, inviting contemplation and introspection on themes of interconnectedness, balance, and
harmony with the natural world. Moreover, the color blue’s association with spiritual awareness and
vision quests is a central theme woven throughout the exhibit. As visitors engage with pieces that draw
upon the color blue to evoke meditative states, evoke dreams, and convey messages from the spirit world,
they are encouraged to explore the depths of their own spiritual journey and embrace a sense of
interconnectedness with all living beings. As visitors immerse themselves in the visual journey of
“Indigenous Blue,” they are invited to contemplate the spiritual potency and cultural significance of this
versatile color. Through this exhibit, we seek to honor and celebrate the artistic brilliance and spiritual
depth embedded within Brians artwork, fostering a greater understanding and appreciation for the
enduring beauty, wisdom and spirit encapsulated in the color blue.
Through Indigenous Blue Brian aims to create a space that honors and celebrates the profound spiritual
legacy of his culture while fostering cross-cultural understanding and appreciation for the universal
themes of peace, serenity, and spiritual enlightenment that resonates within us through the color blue. The
exhibit serves as a testament to the enduring beauty, wisdom, and resilience of Indigenous cultures worldwide.

2 Hour Intro to Wheel With Jenna Ross
2025-08-11
Learn the basics of “throwing” pottery on the wheel in this 2 hour session. Come ready to be messy, have fun, embrace imperfection, and enjoy the challenge of taming a spinning blob of clay! This one-time session is perfect for absolute beginners or those who have tried it in the past and want a refresher.
For participants who would like to keep their creation: this class includes one finished piece per student (which will be fired & receive a clear glaze coat + second firing, for pickup at a later date). Students can choose to keep additional pieces for a cost of $10/piece.
Course Details:

Monday August 11th, 2-4PM & 6-8PM
Monday August 18th, 2-4PM & 6-8PM

Location: River Arts Centre,8746 Main St, Florenceville-Bristol
To Register: 25summerstudents@mccainartgallery.com or 506-392-6769
NO REFUNDS ON CANCELLATIONS WITHIN 2 WEEKS OF WORKSHOP!!!
LIMITED SPOTS AVAILABLE!!!

Flora
2025-08-16 - 2025-09-27 | Andrew & Laura McCain Art Gallery, 8 McCain Street, Florenceville-Bristol, New Brunswick, E7L 3H6, Canada
Join us on Thursday, September 4th at 5:30 pm for the opening – which will also be the pARTicipate Arts & Nature Festival kickoff event! Meet many of the artists, some of whom will be teaching workshops at pARTicipate.
“I like to make clothing, and I like it when it has an interesting shape or texture. I draft all my own patterns and the pieces are often historical, but sometimes not.
I enjoy the design challenges of working with secondhand and reclaimed materials, and combining inspiration from different historical eras, as well as the natural world. It’s always exciting to try a new material or learn a new technique, and sometimes I make videos of my projects so I can share all the construction information in as much detail as possible”. Vincent Briggs
“I have been a collector of seedpods for many years, each with incredibly beautiful, intricate forms and textures. These tiny seed vessels have been rich potential for creative exploration and have become the catalyst for my recent body of work. These smoke-fired vessels have been given over to the fire to breathe life into each piece, the smoke and flame creating a quiet beauty, richly marked with visual texture and colour.
It is my intention that these vessels evoke a sense of hope and renewal, a feeling of stillness and tranquility, reminding the viewer of the beauty of nature”. Judy Blake
“As a seamstress by trade and a passionate textile arts educator, I have nurtured a lifelong love for all
things fiber-related. Over the last few years, my daily art practice has increasingly zeroed in on bobbin
lace making. This historic craft is on the verge of dying out in New Brunswick and it is my long-term goal
to reintroduce it to the region and build a community of lace makers.
I am currently studying bobbin lace traditions from all over the world, learning multiple techniques
through online classes and creating original lace artwork. Designing a lace piece begins with loosely
sketching out ideas, experimenting with composition, and considering color. Then comes the precise
mathematical planning needed to design a lace pattern, like a puzzle that must be solved to ensure the
threads hold together and the picture takes shape as intended.
The process of bobbin lace making requires a profound level of concentration and attention to detail, as
each pair of threads is twisted and crossed in an exact order to keep the design intact and the colors in
place. Traditionally, lace designers and lace makers were separate entities, but I cherish the ability to bring
both roles together in my work. The whole process fascinates me, from the initial spark of inspiration to
the final moment when I remove the last pins and hold up the completed piece, an artwork made entirely
of threads, with more holes than solid mass yet still perfectly holding its form.
Through my work, I aim to honor and preserve the rich tradition of bobbin lace, while also bringing my
own unique vision to life, one thread at a time”. Cat Candow
Caoife Garvey is an Irish textile artist and designer currently living in Fredericton, New Brunswick. She specialises in weaving and felting techniques and works primarily with natural fibres such as linen, paper, wool and natural dyes. She uses thoughtfully chosen materials to create woven art pieces and fine craft accessories. Caoife is a graduate of the New Brunswick College of Craft and Design and currently works there as an instructor in the Foundation Visual Arts and Textile Design programmes. Her work has been shown in group exhibitions around New Brunswick and she has been the recipient of an Arts NB Creation Grant and the Charlotte Glencross Scholarship offered to an artist who is progressing in their professional development.
“My recent artistic practice blends traditional craftsmanship and contemporary exploration, using weaving and felting techniques to create works that are inspired by forms and textures observed in nature. I work with natural materials to create abstract, geometric patterns through the strategic manipulation of distinct weave structures. Most notably, I have been using yarn made from paper, a ubiquitous material made from the cellulose of trees and plants, to create weavings rich in texture and dimensionality. Building on this work, I am expanding my practice by integrating more elements of the plants themselves. Milkweed seeds and fibres provide soft stuffing, flax bast fibres are woven into fabric, and petals and bark are used for natural dyeing. I am particularly drawn to how the textures and colours found in local flora can enhance the qualities of specific weave structure, creating works that speak to both materiality and place”. Caife Garvey
Website: caoife@gmail.com Instagram: @Caoife.Garvey
Alexa began blacksmithing in Florida in 1980. Banging on metal proved to be the perfect counterpoint to her career as a librarian. She has been moving her scrap pile northward ever since. Initially she produced small abstract sculptures for interiors. When she established Ladysmith Forge in Connecticut in 1991, she learned to make hardware suitable for 18th and 19th century buildings. In 2006, she immigrated to Canada. Today, she and her wife live on a 125 acre farm in Mt. Hanley, Nova Scotia. Alexa forges garden sculpture and private commissions under the watchful eyes of a small flock of sheep. Her work can be seen at the Tangled Garden in Grand Pré and occasionally at the Annapolis Royal Historical Garden and, virtually, on her website: AlexaJaffurs.com
“My coloured glass flowers, each a faithful replica of one of our Atlantic provinces floral emblems, embody the range of habitats and regional identities of the Maritimes. They represent our character as well as being beautiful symbols of strength, adaptation, and unity. But even more important, at a time where biodiversity is increasingly understood as central to our very survival, these flowers and their distinct ecosystems remind us of a greater purpose: caring for our precious planet. Created on a specialized propane and oxygen torch to melt borosilicate glass. Solid rods and tubes are melted and shaped to create each piece of flora”. Heather McCaig
Adam McNamara (he/him) is a wood artist known for his unique approach to wood carving, drawing inspiration from the natural world and modern design elements. Employing power carving and fine carving techniques, he achieves realistic detail, resembling intricate paintings in wood. His creative process is deeply rooted in the world outside, particularly local ecosystems and hidden treasures within them. Influenced by anatomical drawings from Darwin’s era and the impressionism movement in painting, he infuses his pieces with themes of appreciating small creatures that hold our ecosystems together. Adam’s accolades include multiple exhibitions both locally and internationally, charity campaigns, and competitions over the years, with recent collaborations include a commission by Timberland Canada for hurricane relief in Nova Scotia. Adam prioritizes sustainability by sourcing wood from forests or purchasing scraps from woodworkers, repurposing all scrap to minimize waste. His self-taught journey pushes boundaries, with each piece serving as a discovery of new techniques and practices, contributing to the evolution of wood art.
“I use natural materials—hand-dyed woolen fabrics and yarn—hooked into linen or burlap backing to create images in the same way that other artists use paint on a canvas. My inspiration often comes from nature, the landscapes, plants, and animals that I see. However, colour and form also have appeal, and I strive to highlight them in my creations”. Caroline Simpson
Nationally acclaimed Canadian plant fibre artist, Ralph Simpson has developed an innovative method of weaving and sculpting plant fibre into pleasing sculptural forms. He was raised in the fields and forests of New Brunswick along the Petitcodiac River and there developed a keen interest in plants. His personal motivation arises from a deep connection with nature and an implicit desire to promote environmental sustainability.

Currently, he resides in Fredericton working full time in his studio there. Ralph chooses to work with locally sourced, sustainable materials and forages his own plant fibres using environmentally sustainable methods. He prefers invasive, introduced, or naturalized plant species and also native plants if they are abundant. Ralph holds an MSc. from UNB in Forest Research Biology, and a Diploma in Fine Craft from NBCCD. Informed by the sciences and his acquired technical expertise his intricately woven pieces reflect the fields and forests around him.
Ralph is an award-winning artist with grants from Arts NB and Canada Council, short-listed for the Salt Springs National Art Prize (2021) and his work has been accessioned into New Brunswick’s permanent art collection (2023). He exhibits his work locally and internationally, attending residencies and giving workshops.
The flora of New Brunswick informs his work and his creative process. His designs arise from his interpretations of nature and have evolved from traditional basketry, to vessels, and botanically themed sculptures. His process results in a contemporary manifestation of his connection with plants in their natural habitat. His work varies in form and style but what resonates in all his work is an underlying investigation into ways that plant materials can be used to spark interest and insight into the natural world.

Totality: David Hunter and James Wilson
2025-10-04 - 2025-11-08
The show is open from October 4, to November 7. The opening is on Saturday, October 18 from 2pm-4pm

<s/p>

We are pleased to invite you to a special guided tour of our current exhibition, led by exhibiting artist, David Hunter.

Thursday, October 23 from 6:30pm-7:30pm
The Andrew & Laura McCain Art Gallery, 8 McCain St, Florenceville-Bristol

This tour offers a unique opportunity to gain insight into the artist’s creative process, inspiration, and the stories behind the works on display.

Admission is always free, and all are welcome to attend.

James Wilson
James Wilson is a fine art photographer living and working from his home based studio in Hampton, New Brunswick. His art works are in many public, corporate, and private collections throughout North America and Europe. He specializes in large format rural landscapes, still-life, and natural-light black and white studio portraits which he calls “Social Studies”. He has been teaching photography and mentoring people on the art of the medium internationally for 19 years, with annual workshops in Mexico, Italy, and Japan.
“…My approach to making these photographs was not as a scientist, but as an artist. So I experimented slightly to explore different effects mostly through exposure changes and zooming in and out.
Properly exposing the image of the corona of the sun around the moon would stay white like one would naturally expect as shown in this first image. (Leftmost)
Underexposing the image the corona would take on a much warmer look which some might find more appealing as shown in the image. (#2)
There was a point when the corona expanded and as I remembered it seemed to have a slight cyan colour. (#3)
This is a classic shot that eclipse photographers try to always get when the sun is slightly exiting its hidden stat behind the moon with a bright flare. It’s called the ‘Diamond Ring Shot’. (#4)
This image I took just after putting my solar eclipse filter back on the camera lens. It exaggerated the flaring of the sun coming out from behind the moon and added more drama to the event. (Rightmost)” -James Wilson
“Total solar eclipses are very rare occurrences for any given spot on Earth…Prior to 8th April, 2024, the last total solar eclipse in central New Brunswick happened in 932! Therefore, since the last total solar eclipse in Central NB has been more than 1000 years ago, and that the path of 2024 totality went through Central Carleton County, a special effort was mounted to bring this to the attention of the community and nation. However, there was a potential problem: there was a 70% probability that it would be cloudy on the day of the eclipse. Therefore, a project was started to send a stratospheric balloon above any clouds to observe the eclipse.” -David Hunter
Science Engineering Team for the Total Solar Eclipse Balloon Project
David Hunter, BSc, MSc
In his professional life he was involved in the development of high resolution X-ray digital mammography systems based on the material amorphous selenium. This work was conducted at the University of Toronto and the affiliated Sunnybrook Research Institute. He has had a long standing interest in physics, astronomy, meteorology, and electronics, which all contributed to the development of the Total Solar Eclipse Balloon Project.
Lewis Cobb, MSc
An Electrical Engineer from the University of New Brunswick, his career is in industrial microcontroller system design and he was involved in contributions pertaining to 3D modeling, 3D printing, and CNC routing.
Stephen Downward, BCS
A graduate of the University of New Brunswick, he worked in communications, programming, and electronics.
Dr. Don Plewes, Phd
Professor Emeritus from the Department of Medical Biophysics of the University of Toronto, his contributions related to the engineering design of the project testing, analysis and mathematics, and general advice.
Tom Sisk, MSc
A retired Electrical Engineer who worked at NB Power, Irving, and Coleson Cove, contributed to the engineering design of the project and payload, as well as general advice.
Ken Strauss, MSc
A retired Electrical Engineer who worked with Comshare and Ontario Hydro made contributions related to the mechanical design and testing of the Balloon Solar Eclipse Project.

University of New Brunswick Student Engineering Team

UNB Liaison and Faculty
Troy Lavigne, Project Officer, Electrical and Computer Engineering, UNB
Andy Simoneau, Chair, Department of Mechanical Engineering, UNB

UNB Engineering Student Project Group 1
Roshan Peri
Savishta Rattun
Jacob Snider
Benjamin Thomson

UNB Engineering Student Project Group 2
Ethan Albert Garnier
Spencer Frederick Gowlett
Alex Thomas Johnson
Zachary Michael Titus

UNB Engineering Student Project Group 3
Olivia DeMerchant
Zachary Demerson
Matthew Snell
Zoe Devries
To learn more about the Total Solar Eclipse Balloon Project, click the button below.
Learn more!

Children's Professional Learning Day Art Class
2025-10-24 07:45 - 17:30, 2025-12-12 07:45 - 17:30 | River Art Centre, 8746 Main St., Florenceville-Bristol, New Brunswick

Holiday Clay Workshop with Jenna Ross
2025-11-29 10:00 - 16:00 | River Art Centre, 8746 Main St., Florenceville-Bristol, New Brunswick
Join Jenna Ross at the River Art Centre (8746 Main St, Florenceville-Bristol) for a festive and fun clay workshop!
In this workshop you’ll be lead through making a handbuilt snowman sculpture and guided on how to make ornaments. Everyone will decorate their pieces using underglazes. All work will be fired and clear glaze coated for pickup at a later date – in time for Christmas!
This workshop runs from 10AM-4PM with an hour lunch at noon. You are welcome to bring or buy your lunch. No experience is necessary, just a willingness to try and get messy! Come with an open and curious spirit – clay can be delightful but sometimes unpredictable.
Students are welcome to bring their own cookie cutter shape, pattern/texture options like stamps or an old doily you don’t mind getting dirty, or anything else of the sort you want to try!
Note: Longer nails can make working with clay trickier!!!
Date: Saturday, November 29
Time: 10AM-4PM
Cost: $38 *No refunds on cancellations within 7 days of workshop
Location: River Art Centre – 8746 Main Street, Florenceville-Bristol

Reindeer Felting Workshop with Michelle Landry
2025-12-06 13:00 - 15:00 | River Art Centre, 8746 Main St., Florenceville-Bristol, New Brunswick
Join Michelle Landry at the River Art Centre (8746 Main St, Florenceville-Bristol) for a festive and fun felting workshop!
In this workshop, you’ll be led through making a felted a reindeer ornament! This workshop runs from 1pm-3pm, no experience is necessary, just a willingness to try!
Date: Saturday, December 6
Time: 1pm-3pm
Cost: $40 ($25 +$15 Kit)
Location: River Art Centre – 8746 Main St, Florenceville-Bristol
Contact the gallery to register today!
506-392-6769 or info@mccainartgallery.com

6 Week Clay Handbuilding Workshop with Jenna Ross
2026-01-14
Dive into exploring clay with a sampling of different handbuilding techniques in this course for beginners. Each Wednesday students will be guided through a unique handbuilding project that introduces a new skill. Participants will also have the opportunity to manage their own ongoing self-directed piece throughout the course and during free time. You will learn about slab building, slump molds, could building, pinchpots, lidded jars, and sculpture – with the final week for glaze decorating! Each participant will complete 6 unique pieces to take home.
Bring your curiosity, embrace imperfection, willingness to get messy, and openness to play!
Two class times to choose from;
2pm-5pm or 6pm-9pm
Dates:
Wednesdays: January 14, 21, 28, February 4, 11, and 18.
Cost: $300
No refunds on cancellations within 7 days of workshop

Kid's Professional Learning Day Art Classes
2026-01-16
More kids art classes this Friday!
See poster for more information.

This program is in partnership with the Carleton North High School, with financial assistance available if needed.
Bussing requests MUST be sent to Recreation before 4:00pm on Monday, January 12th
Register with the link below:
https://tms.ezfacility.com/OnlineRegistrations/Register.aspx?CompanyID=7708&GroupID=3976877

Questions? Please contact:
recreation@carletonnorth.com
(506) 392-6763 Ext. 220

Learn More!

2 Hour Intro to Wheel Workshop with Jenna Ross
2026-01-31
Learn the basics of “throwing” pottery on the wheel in this 2 hour session. Come ready to be messy, have fun, embrace imperfection, and enjoy the challenge of taming a spinning blob of clay! This one-time session is perfect for absolute beginners or those who have tried it in the past and want a refresher.
For participants who would like to keep their creation: this class includes one finished piece per student (which will be fired & receive a clear glaze coat + second firing, for pickup at a later date). Students can choose to keep additional pieces for a cost of $10/piece.
Course Details:

Saturday January 31, 10am-12pm
Saturday January 31, 1pm-3pm

Location: River Arts Centre,8746 Main St, Florenceville-Bristol
To Register: info@mccainartgallery.com or 506-392-6769
NO REFUNDS ON CANCELLATIONS WITHIN 2 WEEKS OF WORKSHOP!!!
LIMITED SPOTS AVAILABLE!!!
