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DTSTART;VALUE=DATE:20251004
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UID:8453-1759536000-1762646399@mccainartgallery.com
SUMMARY:Totality: David Hunter and James Wilson
DESCRIPTION:The show is open from October 4\, to November 7. The opening is on Saturday\, October 18 from 2pm-4pm \n\n<s/p>\n\nWe are pleased to invite you to a special guided tour of our current exhibition\, led by exhibiting artist\, David Hunter.\n\n\nThursday\, October 23 from 6:30pm-7:30pm\nThe Andrew & Laura McCain Art Gallery\, 8 McCain St\, Florenceville-Bristol\n\n\nThis tour offers a unique opportunity to gain insight into the artist’s creative process\, inspiration\, and the stories behind the works on display.\n\n\nAdmission is always free\, and all are welcome to attend.\n\nJames Wilson\nJames Wilson is a fine art photographer living and working from his home based studio in Hampton\, New Brunswick. His art works are in many public\, corporate\, and private collections throughout North America and Europe. He specializes in large format rural landscapes\, still-life\, and natural-light black and white studio portraits which he calls “Social Studies”. He has been teaching photography and mentoring people on the art of the medium internationally for 19 years\, with annual workshops in Mexico\, Italy\, and Japan. \n“…My approach to making these photographs was not as a scientist\, but as an artist. So I experimented slightly to explore different effects mostly through exposure changes and zooming in and out. \nProperly exposing the image of the corona of the sun around the moon would stay white like one would naturally expect as shown in this first image. (Leftmost) \nUnderexposing the image the corona would take on a much warmer look which some might find more appealing as shown in the image. (#2) \nThere was a point when the corona expanded and as I remembered it seemed to have a slight cyan colour. (#3) \nThis is a classic shot that eclipse photographers try to always get when the sun is slightly exiting its hidden stat behind the moon with a bright flare. It’s called the ‘Diamond Ring Shot’. (#4) \nThis image I took just after putting my solar eclipse filter back on the camera lens. It exaggerated the flaring of the sun coming out from behind the moon and added more drama to the event. (Rightmost)” -James Wilson \n“Total solar eclipses are very rare occurrences for any given spot on Earth…Prior to 8th April\, 2024\, the last total solar eclipse in central New Brunswick happened in 932! Therefore\, since the last total solar eclipse in Central NB has been more than 1000 years ago\, and that the path of 2024 totality went through Central Carleton County\, a special effort was mounted to bring this to the attention of the community and nation. However\, there was a potential problem: there was a 70% probability that it would be cloudy on the day of the eclipse. Therefore\, a project was started to send a stratospheric balloon above any clouds to observe the eclipse.” -David Hunter \nScience Engineering Team for the Total Solar Eclipse Balloon Project\nDavid Hunter\, BSc\, MSc\nIn his professional life he was involved in the development of high resolution X-ray digital mammography systems based on the material amorphous selenium. This work was conducted at the University of Toronto and the affiliated Sunnybrook Research Institute. He has had a long standing interest in physics\, astronomy\, meteorology\, and electronics\, which all contributed to the development of the Total Solar Eclipse Balloon Project. \nLewis Cobb\, MSc\nAn Electrical Engineer from the University of New Brunswick\, his career is in industrial microcontroller system design and he was involved in contributions pertaining to 3D modeling\, 3D printing\, and CNC routing. \nStephen Downward\, BCS\nA graduate of the University of New Brunswick\, he worked in communications\, programming\, and electronics. \nDr. Don Plewes\, Phd\nProfessor Emeritus from the Department of Medical Biophysics of the University of Toronto\, his contributions related to the engineering design of the project testing\, analysis and mathematics\, and general advice. \nTom Sisk\, MSc\nA retired Electrical Engineer who worked at NB Power\, Irving\, and Coleson Cove\, contributed to the engineering design of the project and payload\, as well as general advice. \nKen Strauss\, MSc\nA retired Electrical Engineer who worked with Comshare and Ontario Hydro made contributions related to the mechanical design and testing of the Balloon Solar Eclipse Project. \n\nUniversity of New Brunswick Student Engineering Team \n\nUNB Liaison and Faculty \n    Troy Lavigne\, Project Officer\, Electrical and Computer Engineering\, UNB \n    Andy Simoneau\, Chair\, Department of Mechanical Engineering\, UNB  \n\nUNB Engineering Student Project Group 1 \n    Roshan Peri \n    Savishta Rattun \n    Jacob Snider \n    Benjamin Thomson \n\nUNB Engineering Student Project Group 2 \n    Ethan Albert Garnier \n    Spencer Frederick Gowlett \n    Alex Thomas Johnson \n    Zachary Michael Titus \n\nUNB Engineering Student Project Group 3 \n    Olivia DeMerchant \n    Zachary Demerson \n    Matthew Snell \n    Zoe Devries \nTo learn more about the Total Solar Eclipse Balloon Project\, click the button below. \nLearn more!
URL:https://mccainartgallery.com/exhibitions/totality-david-hunter-and-jamie-wilson/
CATEGORIES:Exhibitions,Past Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260214
DTEND;VALUE=DATE:20260322
DTSTAMP:20260507T061746
CREATED:20260210T222151Z
LAST-MODIFIED:20260328T192934Z
UID:8997-1771027200-1774137599@mccainartgallery.com
SUMMARY:Sarah Petite\, The Line is the Canon
DESCRIPTION:“In 2015\, for the second time in my long practice\, I became impatient with the eternal rectangle. I began experimenting with shapes\, cut from plywood and intruded with meandering jigsaw ‘lines’. Everything the jigsaw does is like a line that can’t ever be erased. It’s the given\, the canon. The paint has to answer to it.\n\nA shape in my head becomes a sketch\, becomes a plywood cutout\, becomes a photograph\, becomes a more precise sketch\, printed out\, for plotting the painting – which sometimes takes a few days before I pounce. Gazing at the beautiful shape. The paint – its colours\, how it is applied\, how its expression responds to the shape\, is the project. \nIt’s true\, my paintings are about encaustic paint\, they reflect my fascination with its virtuosity\, and the beauty and richness to be found in its effects. The process itself is what has kept me loyal to this medium for many years.” Sarah Petite \nFor a YouTube introduction to Sarah\, Click Here \nBorn Pennsylvania\, U.S.A.\, Sarah grew up near Boston and then settled in Canada\, receiving Canadian citizenship in 1971. Sarah attended the Nova Scotia College of Art And Design\, graduating with a BFA in Painting and in 1985 she studied Art History (early Christian\, 12th century European\, 16th century Italian architecture)\, at the University of East Anglia\, Norwich\, England. Sarah is represented at Gallery on Queen\, Fredericton and is in major public and private collections in Canada. Having lived in various parts of Canada\, Singapore\, Italy\, and England\, she currently splits her time between Port Maitland\, Nova Scotia and Fredericton NB. \nSarah began encaustic painting\, and was largely self-taught. She won the Marie Hélène Allain Fellowship Award from the Sheila Hugh MacKay Foundation  in 2022 for her encaustic work. As part of its mandate to promote the visual arts in New Brunswick\, the SHMF recognises the accomplishments of mid-career New Brunswick artists who are engaged in the exploration and deepening of their creative endeavour. The jury was convinced by the accomplishments and perseverance Sarah demonstrates in discovering new directions through considered engagement with her materials and process\, revealing a practice that contributes to and is in discourse with modernist painting traditions. \nYour Content Goes Here \n“With encaustic\, ‘hot’\, or melted\, means ‘wet’. Beeswax and pigment are combined in a small can (tomato paste\, actually)\, melted down and dipped into. I use natural-bristle brushes whose long handles have been sawn off\, to allow them to stand ready in the paint without tipping the can over. The paint stays ‘wet’ for about ten seconds\, after which I must dip again\, or may begin to cut and sculpt\, using a variety of tools. The heat gun allows me to re-melt the paint right on the panel\, making for textural enhancements like troweling\, stippling or puddling”. Sarah Petite
URL:https://mccainartgallery.com/exhibitions/sarah-petite-the-line-is-the-canon/
CATEGORIES:Exhibitions,Gallery Calendar,Past Exhibitions,Upcoming Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260328
DTEND;VALUE=DATE:20260426
DTSTAMP:20260507T061746
CREATED:20260314T130544Z
LAST-MODIFIED:20260506T134625Z
UID:9252-1774656000-1777161599@mccainartgallery.com
SUMMARY:Clay Marcos' Collection of Indigenous and Inuit Art
DESCRIPTION:sp \nThe Andrew & Laura McCain Art Gallery is honoured to present Dr. Clay Marco’s collection of Inuit and Indigenous art to the community. Originally from the Vancouver area\, Dr. Marco developed an appreciation for the art of the Haida Nation\, examples of which are featured in the west end of the gallery. Approximately twelve years ago\, Dr. Marco began collecting Inuit art during professional trips to Nunavut. He traveled to many communities over the course of more than thirty visits\, purchasing art in most of the locations where he worked or traveled. Many of these pieces are featured in the east end of the gallery. \nsp \nView Clay’s Book: Reflections of the NorthClay grew up in the Lower Mainland of British Columbia\, where he developed a strong connection to Haida Nation Art. He explains that the artists replicate his strong feeling of ties to the land\, and that draws his attention in completely. To Clay\, it’s some of the most beautiful art in the world! \nClay will be in attendance at the Gallery on Saturday\, April 25 at 2pm for the Closing Reception. \nIf you have any questions\, or wish to hear Clay speak about his collection\, it’s the perfect time to stop by the gallery. \n\nsp
URL:https://mccainartgallery.com/exhibitions/clay-marcos-collection-of-indigenous-and-inuit-art/
CATEGORIES:Current Exhibitions,Exhibitions,Past Exhibitions,Upcoming Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260502
DTEND;VALUE=DATE:20260614
DTSTAMP:20260507T061746
CREATED:20260422T210134Z
LAST-MODIFIED:20260506T181116Z
UID:9545-1777680000-1781395199@mccainartgallery.com
SUMMARY:A Different Light: Photo-based works by Dianne Bos
DESCRIPTION:Opening: 2 May 2026\, 2:00 – 4:00pm \nArtist Talk: A walk through the show with Dianne at 2:00 to 2:30 pm \nEveryone is welcome and we have an elevator \nPadua Bio Div 5.3\, 2019 \nLeran Castle Door 1\, 2019 \nCap-Roig-11\, 2019 \nDianne Bos investigates light\, nature and perception using a wide range of distinctive photographic processes and tools. Her focused interest in analog techniques has integrated exploration with pinhole photography\, vintage cameras\, cyanotype\, photograms\, and most recently\, chlorophyll printing. She will be showing a selection of early pinhole work as well as images from her most recent Herbarium/ PhotoSynthesis series. \nDianne Bos\, has evolved various thematic bodies of work\, and merged technical innovations to create new visual hybrids. She makes innovative use of pinhole\, camera obscura\, installation\, and alternative photographic techniques to explore the world around us. \n‘The excitement\, for me\, lies not in reproducing something I can see\, but in revealing the imperceptible (and maybe only the imagined) using the physics of light and time and darkroom techniques.’ \nDianne Bos is an internationally-exhibiting artist based in Canada and France. She has presented her photography and installation work in solo and group exhibitions across Canada and internationally in the United States and Europe. Her work may be found in private\, corporate and museum collections including the Art Gallery of Hamilton\, ON; the University of Lethbridge Art Gallery\, AB; the Walter Phillips Gallery at the Banff Centre\, AB; the National Gallery of Canada\, ON and Canadian embassies in Paris and Belgium. In addition to her artistic practice in the visual arts\, Bos’ professional interests have extended into the field of music\, publishing\, and teaching.
URL:https://mccainartgallery.com/exhibitions/a-different-light-photo-based-works-by-dianne-bos/
CATEGORIES:Exhibitions,Upcoming Exhibitions
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