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X-WR-CALNAME:Andrew and Laura McCain Art Gallery
X-ORIGINAL-URL:https://mccainartgallery.com
X-WR-CALDESC:Events for Andrew and Laura McCain Art Gallery
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DTSTART:20180101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190608
DTEND;VALUE=DATE:20190707
DTSTAMP:20210903T003106Z
CREATED:20190706T233247Z
LAST-MODIFIED:20210903T003106Z
UID:2870-1559952000-1562457599@mccainartgallery.com
SUMMARY:"Pictus" by Jared Betts plus "The Lost City" by Ian MacEachern
DESCRIPTION:Jared Betts\nPictus\n\nHailing from Moncton\, Jared Betts’ expressionist\, gestural paintings provide an immersive sensory experience. His work is included in numerous corporate and private collections in North America\, Europe\, China\, Australia and even Iceland. He has exhibited in over 100 group and solo shows in cultural hotspots such as Paris\, London and New York.\nUsing visual cues as a means of stimulating metaphysical sensation\, Betts confides that his paintings “inhabit the space where consciousness descends into dream… I seek to examine this dream-like suppression of recognizable imagery and capture the visceral sensation that bubbles up from underneath.” \nIan MacEachern\nThe Lost City\n\nRecording life in Canada’s oldest city through more than a thousand images\, photographer Ian MacEachern witnessed the profound transformation of Saint John NB as it was buffeted by the forces of modernization during the 1960s. These photographs display extraordinary power in their honest depictions of fleeting moments and illustrate a certain raw humanity.\nFor a new large-format book\, “The Lost City: Ian MacEachern’s Photographs of Saint John”\, architectural and social historian John Leroux has selected 75 black-and-white photographs drawn from MacEachern’s exceptional archive and has written an accompanying essay that examines the effect of urban renewal on civic architecture\, historic neighbourhoods and community structure. There may be lessons to be learned here. \nThis touring exhibition\, on view through Saturday 6 July 2019 and sponsored by the Beaverbrook Gallery and the Canada Council for the Arts (among others)\, allows photography enthusiasts and community planning pundits alike to view dozens of archival prints that chronicle an urban way of life that has been largely forgotten until now.
URL:https://mccainartgallery.com/exhibitions/pictus-by-jared-betts-plus-the-lost-city-by-ian-maceachern/
LOCATION:New Brunswick
CATEGORIES:Events,Exhibitions,Past Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190713
DTEND;VALUE=DATE:20190804
DTSTAMP:20210805T235828Z
CREATED:20190712T162038Z
LAST-MODIFIED:20210805T235828Z
UID:2890-1562976000-1564876799@mccainartgallery.com
SUMMARY:Still and Not So Still by Francine Martin plus Daily Offerings by Charline Collette
DESCRIPTION:This exhibition opens Saturday 13 July 2019 with a reception from 2-4pm; on view through 3 August 2019. \n\nCharline Collette\nDaily Offerings \nDidn’t your mother used to hook? Rug-hooking is deeply set in the memory of most of New Brunswickers but these days adventurous fibre artists are using rug-hooking as a means of expression while remaining true to their roots. \nArtsNB has commented that “Some artists mix different materials and techniques and others like Charline Collette perpetuate the glorious tradition of figurative work.” With large-scale and sculptural pieces in this body of work\, Colette uses an abstract approach\, exploring the separation between the hooked surface and the images that are placed on them. \n“I highlight domesticity and\, by extension\, society\,” she says. “In the last two years\, I have been challenging the perception of what rug-hooking is by changing the scale and materials.” Her themes are explored in different forms\, whether by digital projection or paint on hooked panels\, sculptural forms or dimensionally hooked pieces. \n \nFrancine Martin\nStill and Not So Still \nFrancine Martin is from Edmunston NB and is a relative late-comer to the professional art scene. However\, since her retirement from teaching in 2015\, she has rapidly become recognized for her creative use of an Old Masters style known as chiaroscuro (kee·aa·ruh·skyur·ow) referring to the use of bold contrast between light and dark. Think classic works by artists like Rembrandt\, da Vinci and Caravaggio. \nMartin admits to a bit of a double personality due to growing up with a twin sister. She says it “defines my personality and is reflected in my work through the use of light and dark… I use the chiaroscuro technique in my still-life and landscape paintings\, limiting my colour palette which is mainly greys with a touch of more vibrant colour. In these nuances I find a reflection of my personality that I seek to express.” \nIn a very short timespan\, her work has been shown up and down the St John River Valley from the Banville-Pérusse Gallery in Edmundston to the Acanthus Gallery in Grand Falls and the Handworks Gallery in Saint John. Last year\, she was selected for Making Waves\, a fine art and craft show on Ministers Island near St Andrews. \nUpcoming exhibitions\n10 August-7 SeptemberDawn Steeves\, paintingsMaria Doering\, prints \n14 September-12 OctoberA family group show with Anna Torma\, David Zsako and Istvan Zsako: textile\, sculpture\, photography \n19 October-16 November \nVicky Lentz\, sculpture\, painting\, installation
URL:https://mccainartgallery.com/exhibitions/still-and-not-so-still-by-francine-martin-plus-daily-offerings-by-charline-collette/
LOCATION:New Brunswick
CATEGORIES:Exhibitions
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