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X-WR-CALNAME:Andrew and Laura McCain Art Gallery
X-ORIGINAL-URL:https://mccainartgallery.com
X-WR-CALDESC:Events for Andrew and Laura McCain Art Gallery
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DTSTART;VALUE=DATE:20260625
DTEND;VALUE=DATE:20260901
DTSTAMP:20260702T192226Z
CREATED:20260626T132618Z
LAST-MODIFIED:20260702T192226Z
UID:9951-1782345600-1788220799@mccainartgallery.com
SUMMARY:Summer of History
DESCRIPTION:New Brunswick has over 110 heritage sites for you to explore including historic villages\, galleries\, industrial and military sites\, museums\, and more! \nCome with us on a road trip this summer\, and visit our local heritage sites for your chance to win. \nLearn more by visiting www.summerofhistory.ca
URL:https://mccainartgallery.com/exhibitions/summer-of-history/
CATEGORIES:Recent News
ATTACH;FMTTYPE=image/png:https://mccainartgallery.com/wp-content/uploads/2026/06/Bilingual-SoH-EdlH-Poster-1-1-scaled.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260718
DTEND;VALUE=DATE:20260823
DTSTAMP:20260723T175333Z
CREATED:20260710T192554Z
LAST-MODIFIED:20260723T175333Z
UID:10099-1784332800-1787443199@mccainartgallery.com
SUMMARY:OPUS: A Handmade VIllage\, Guest Curator John Leroux
DESCRIPTION:Guest curator John Leroux\, ONB\n\n\n\nJohn has practiced in the fields of art history\, architecture\, visual art\, curation\, and education. He holds a Bachelor of Architecture (McGill)\, a M.A. in Art History (Concordia)\, and a PhD in History (UNB). He has worked at award-winning architecture firms in Canada and the United States\, and has taught at the New Brunswick College of Craft and Design\, the University of New Brunswick\, and St. Thomas University. He has won awards for architectural and public art projects throughout Canada\, and was a team member of Canada’s entry at the 2012 Venice Biennale in Architecture. For many years\, he was chief curator at the Beaverbrook Art Gallery in Fredericton. A passionate advocate for the arts and for architectural conservancy\, John has authored 21 books on architecture and visual culture.He has volunteered on boards dealing with heritage\, health\, technology\, culture\, and homeless housing. He was a personal tour guide to Prince (now King) Charles;been a cast member in four feature film documentaries on New Brunswick architecture and art;and played varsity university lacrosse at the age of 43. Along with his wife Meghan\, he is the father of Tait and Ana. John was awarded the Order of New Brunswick in 2024. \n\n\n\nOpening: Saturday 25 July 2026\, 2:00-4:00 pm\nTour the exhibition with John Leroux starting at 2:30 pm.\nThe early 1970s were a time of deep social and cultural change in New Brunswick. The era witnessed diverging views on what it meant to be a connected citizen\, and how material items held deeper consequence. \nMactaquac became a beacon for this movement\, where a group of young artisans opened one of Canada’s most celebrated cultural enterprises: Opus Craft Village. Fuelled by the growing interest in the handmade and a back-to-the-land spirit\, Opus and its artists are a fascinating tale of a creative destination briefly glowing bright and extinguished far too soon.  \n \nIn 1971\, two young potters Allan Crimmins (1943-2020) and Bill Norman (b.1942) opened a studio near Mactaquac\, and were soon joined by American-born glassblower Martin Demaine (b.1942). With audiences hungry for locally handmade objects\, Crimmins devised a full-time craft village based on successful European precedents. A studio campus was built across the road from Mactaquac Provincial Park\, and Opus Craft Village officially opened on June 21\, 1975. New Brunswick Premier Richard Hatfield cut the ceremonial ribbon in front of an enthusiastic crowd of 500 onlookers – his white Bricklin in the parking lot nearby. In addition to Crimmins\, Norman\, and Demaine\, the original Opus craftspeople included Martin’s wife Sue Demaine (wax candles)\, Bill Graff (ceramics)\, David and Barbara Murphy (leatherwork)\, Don Pell (blown glass and ironwork)\, Jane McLellan (wax candles)\, Paddy Ormiston (glass blowing)\, and other apprentices.  \nOpus set out to demystify how crafts are made and to promote craftsmanship in the province. Visitors and buyers were welcome to tour the studios and meet the makers in a real workshop setting. Opus positively affected the spirit and harmony of the community\, and attitudes throughout the province incorporated new creative ideas and artistic experimentation.  \n \nAt its peak\, Opus Craft Village housed seven craft studios and 25 craftspeople. When Queen Elizabeth visited New Brunswick in 1976\, her official gift from the province was a set of six hand-blown glass goblets made at Opus. But like all good things\, it wouldn’t last. After Opus was sold to a local businessman in 1978-79\, challenges arose between the artists and the new owner\, and the original craftspeople left. By 1983\, Opus Craft Village had closed its doors. \nIt was the end of an era\, as the ensuing decade saw changes in the types of fine craft that appealed to the public. But for the original Opus artisans\, it was a stepping stone to longer careers in craft. Beyond the handmade creativity Opus Craft Village offered\, and its innumerable items that were sent around the world\, perhaps the greatest gift Opus offered was a sharing and an understanding of different ways of living and creating. \n______________________________________________________ \n20 July 2026 \nHi Jennifer\, \nThis is wonderful news.  Opus craft village was a wonderful adventure. We built the village and created wonderful art and craft. We learned we\ncould make any dream come true. \nOne story that comes to mind is that the three principals\, Bill Norman\, Alan Crimmins\, and I\, didn’t want to waste time in meetings. So we decided\nanyone could make a decision for Opus Craft Village. We discovered that our decisions were very carefully made and likely better this way. We\nwanted to spend time creating. \nAn extreme example of this was the checking account which required 2 signatures on each check. We practiced each others signatures so one person could sign both names. If two of us were available at the same time to sign a check\, we would not sign our own names. We would sign each others name with a smile. \nI remember Alan bought a woodlot\, and the three of us would go and cut down trees to go to the sawmill to be used in Opus. We found an architect from\nMontreal who was travelling through. He was excited about being part of crew constructing the buildings. It was a family atmosphere. \nI am currently in San Diego and unable to come to the gallery.  \nThe images you sent look fantastic. \nBest\,  \nMartin Demaine
URL:https://mccainartgallery.com/exhibitions/opus-a-handmade-village-guest-curator-john-leroux-2/
CATEGORIES:Exhibitions,Upcoming Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260718
DTEND;VALUE=DATE:20260830
DTSTAMP:20260723T210751Z
CREATED:20260522T151600Z
LAST-MODIFIED:20260723T210751Z
UID:9845-1784332800-1788047999@mccainartgallery.com
SUMMARY:Jennie Weeks: A Life in Paint
DESCRIPTION:Celebration reception\, 22 August 2026\, 2-4 pm. Everyone is welcome. Light refreshments will be served. \nJennie Weeks of Woodstock\, New Brunswick\, discovered her passion for painting as a child. After receiving art lessons as a Christmas gift from her husband\, Dean\, she studied with artist Lloyd Fitzgerald in Fredericton and Woodstock\, where she developed a distinctive photorealist style in acrylic on canvas. \nThroughout her artistic journey\, Jennie found her greatest inspiration in the people and places she loved. Jennie’s studio was in the living room of the family home. Surrounded by the life of her musical family\, she painted what was most important. Her children\, and especially her grandchildren\, became the subjects of a remarkable series of slightly larger-than-life portraits that capture their spirited expressions and individual personalities with warmth and sensitivity. Her body of work also reflects a lifelong commitment to mastering the figure\, alongside paintings of the landscapes of Carleton County\, cherished family pets\, and carefully observed still lifes. \nInfluenced by the work of Mary Pratt\, Jennie approached each painting with patience\, precision\, and an appreciation for the quiet beauty of everyday life. A dedicated member of the Woodstock Art Club\, she continued to paint with unwavering enthusiasm throughout her life. Her final canvas remains on her easel\, with only a few details left to complete—a poignant reminder of an artistic journey that\, while unfinished\, leaves behind a lasting legacy. \nThis exhibition celebrates Jennie’s enduring love of painting and the legacy of an artist whose work continues to reflect the people\, places\, and moments she held closest to her heart.
URL:https://mccainartgallery.com/exhibitions/jennie-weeks-a-memorial-exhibition/
CATEGORIES:Current Exhibitions,Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260725T140000
DTEND;TZID=America/Halifax:20260725T160000
DTSTAMP:20260710T195935Z
CREATED:20260710T195233Z
LAST-MODIFIED:20260710T195935Z
UID:10105-1784988000-1784995200@mccainartgallery.com
SUMMARY:Opening: OPUS:A Handmade Village on Sat. 25 July 2026\, 2-4 pm
DESCRIPTION:“Opus Craft Village was the start of an era in New Brunswick. Fuelled by the growing interest in the handmade\, a back-to-the-land spirit and the emergent counterculture of the 1970s\, the artists of Opus and their story is a fascinating tale of a creative destination and enterprise that glowed briefly and was extinguished far too soon”. John Leroux \nEveryone is welcome to attend the Opening. Curator John Leroux will tour the exhibition starting at 2:30 pm
URL:https://mccainartgallery.com/exhibitions/opusa-handmade-village-opening-sat-25-july-2026/
CATEGORIES:Events,Gallery Calendar,Homepage Event (max 3 events)
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